Shape your sounds with part two of our series on synths, focused on the magic of filters.
Now that we have oscillators under our belt, let’s take a look at one way to modify the sounds we’re getting from them. Filters can make it sound like you just went underwater, or like there are lasers piercing your brain.
In this free lesson, we continue our exploration of the wild and sometimes wooly world of subtractive synthesis by taking a closer look at filters. Filters allow you sculpt your sound by blocking certain frequencies and allowing others to pass through. Want a rounder bass tone? Or a muffled sound? Or less harshness? Filters are the tool for you.
So pull up a chair and a synthesizer. Let’s get started!
Martin composes and produces music for commercial, educational, and artistic media, and records and performs internationally with many NYC-based artists. He also produces original electro and house music and remixes as MDFX, plus trap/jungle/bass music and remixes as WNNR, and will release his debut solo record later this year. His favorite cloud type is the lenticular cloud.
People with no prior knowledge of synths. Or people who think they know something about synths but really don't. They just know that tweaking that one button makes a slingshot sound.
This is the second course in this series. You don't need to take them in order, but you'll understand filters better if you first have a good grasp of oscillators.
You'll probably want a synth of your own to play with. We recommend a free software synth called Helm.
This section of the course takes 20 minutes. The whole Demystifying Synths series can be done in 2-3 hours.
In this course, you'll learn everything you need to sculpt your synth sounds using a variety of different types of filters and settings, and you'll learn to differentiate different filters by ear. If you keep going with the whole series, you should be able to make any synth sound you hear...